Really more solid linkage with the elements of the show.Curator or Natalie/student is interesting.Spoke to Mark Brewer and he said he would e-mail you but he is up for contributing.The script is the next thing and I thought the lighting ideas great,not quite bright enough to read the stories.What does Bertha look like?
Hi, Natalie. This is very interesting,You demonstrate theoretical understanding and evidence that as well as selecting material.Talk to the blog about the material, why the Browning poem?I can assume but better you explore and ponder this.I am interested in what makes you tick with this project? Lisa was saying that all pieces have some autobiography in them even if it is not so clear at first. The first glimpse I have is your comment on on ‘insecurity’ how people see you as ‘nice’ and you want to ‘scar’ the audience.I imagine the locked room and Bertha’s rage? are there links? Many practitioners explore moving in and out of character, perhaps give this some thought.I will return!
Really more solid linkage with the elements of the show.Curator or Natalie/student is interesting.Spoke to Mark Brewer and he said he would e-mail you but he is up for contributing.The script is the next thing and I thought the lighting ideas great,not quite bright enough to read the stories.What does Bertha look like?
Hi, Natalie. This is very interesting,You demonstrate theoretical understanding and evidence that as well as selecting material.Talk to the blog about the material, why the Browning poem?I can assume but better you explore and ponder this.I am interested in what makes you tick with this project? Lisa was saying that all pieces have some autobiography in them even if it is not so clear at first. The first glimpse I have is your comment on on ‘insecurity’ how people see you as ‘nice’ and you want to ‘scar’ the audience.I imagine the locked room and Bertha’s rage? are there links? Many practitioners explore moving in and out of character, perhaps give this some thought.I will return!